Overdub Lane Recording features great sounding rooms designed by industry-leading studio designer Wes Lachot. Wes and his wife Lisa are co-owners of the studio (and Lisa is also the Studio Manager). The control room is well known for its musical accuracy, and for its ability to translate mixes well to the outside world. All rooms feature good modal ratios, and an appropriate balance of absorption, reflection, and RPG diffusion.

At the heart of the control room is a new API 1608 all discrete analog console with 32 channels, 48 total mix inputs, and room for expansion with 56 500-series slots. Every input and output on the console is transformer balanced, making for an unbelievably quiet noise floor. You'll be amazed how good Pro Tools can sound when you hear your music mixed through a discrete, vintage-style API console.

Control Room: 19' L x 13' W x 10' H
Live Room A: 29' L x 17' W x 12' H
Live Room B: 19' L x 14' W x 10' H

API 1608 Console
32 In / 8 Bus / 8 Aux / 48 total mix inputs
32 312 mic preamps
32 548B channel modules / 8 Bus / 8 Aux
16 550A EQs
8 550B EQs
4 560 EQs
4 525 compressors

Pro Tools HD2 hardware
Pro Tools v.8.0 software
Mac 2.8 GHz Quad-Core Intel Xeon
32 in/out Aurora Lynx Converters (192 khz)
Waves Platinum Plug-In Collection
Waves SSL Plug-In collection
Melodyne Cre-8 and Melodyne Plug-In
Tascam DVRA-1000 PCM/DSD 2-track digital recorder
Studer A-80 2" 24-track
Otari MTR-90 2" 24-track
20-bit ADAT 24-track w/ BRC
MCI JH-110 1/4" 2-track
Sony DAT
Fostex B-16 1/2" 16-track

Dynaudio M3 active in-wall main monitors
Yamaha NS10
JBL 4406
Headphones (various)

2 Bryston 4B SST Pro w/ Bryston 10B active crossover
1 Hafler 9505
1 Hafler DH-200
3 Rane headphone distribution systems

32 channels API 312 preamp
16 channels API 550A EQ
8 channels API 550B EQ
4 channels API 560 EQ
1 Amek/Neve 9098 preamp EQ
2 channels Manley Pultec EQ

4 channels API 525 compressor
4 channels Manley Variable MU
UREI 1176 LN
Empirical Labs Distressor
4 channels Valley People 610
2 channels Valley People 440
Valley People Micro gate/compressor
Joe Meek VC1 studio channel
2-Channel Drawmer DS-201 gates

Ecoplate 3 plate reverb
Lexicon PCM-70
Lexicon PCM-91
Eventide 3500 Harmonizer
Deltalab 1024 digital delay
Line 6 Bass Pod Pro
Zoom 1201 multi-effects
dbx 120xp sub-harmonic synthesizer
2 ADA digital delays
2 dbx FS-900 de-essers

1 Neumann SM-269 tube condenser
2 Neumann KM-184 condenser
4 Neumann TLM-103 condenser
2 AKG 414-ULS condenser
2 AKG 460-B- ULS condenser
4 AKG 451-EB condenser
2 AKG D112 dynamic
1 EV RE-20 dynamic
1 Shure SM-7 dynamic
8 Shure SM-57 dynamic
3 Sennheiser 421 dynamic
1 Coles 4038 ribbon
1 Royer 121 ribbon
1 Royer SF-12 stereo ribbon


Yamaha C-5 grand piano
Hammond A-100 organ w/Leslie
Fender Rhodes Suitcase electric piano
Wurlitzer electric piano
Hohner Clavinet
Yamaha Motif ES-8 workstation (upon request)
Roland VK-8 organ (upon request)

Guitars and Basses:

Terry McInturf Taurus electric solid-body guitar
1958 Gretsch 6121 Chet Atkins
1964 Gretsch Tennessean
1964 (Re-Issue) Rickenbacker 12-string
1959 Rickenbacker 6-string
Taylor 810 6-string acoustic
1964 Epiphone Casino
1964 Epiphone Riviera
Zion electric guitar
Yamaha Classical 6-string acoustic
Hohner 6-string acoustic
Hand-made Indian sitar
1966 Fender Precision bass
1966 Fender Jazz bass
70s Hofner Beatle bass
70s Rickenbacker 4001 bass
1971 Gibson EB-0 Bass
1972 Fender Musicmaster bass


Yamaha Recording Series drums w/ Zildjian cymbals
Assorted percussion instruments

Carr Rambler
Carr Hammerhead
1968 Fender Deluxe Reverb
1958 Fender Champ
VOX AC-30 (re-issue)
1971 Marshall head
Marshall 2550 head
Marshall 4-12 cabinet
Leslie w/Guitar preamp
Roland JC-120 Jazz Chorus
Fender Pro Junior
Ampeg B-15 bass amp
SWR SM-400 bass head w/ 2 x 10" speaker

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